Inner World and Milieus of Machines

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  • Synthesis. Limits and Perspectives of Technological Creation

  • Prof. Dr. Georg Trogemann
  • June 15th-16th, 2012
  • Free University Berlin, Thielallee 43, Berlin

As part of the final conference of the research project › Embodied Information, Georg Trogemann will speak about the inner and outer world of machines.

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Biological and other Non-Conventional Computers

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  • Prof. Dr. Georg Trogemann
  • SS 2012
  • Thursday, April 12th, 6 p.m.
  • Humboldt-Universität Berlin

A number of approaches try to use the dynamics of physical, biological and chemical systems as computers. The talk will present some contemporary strategies and discuss the difficulties to clearly classify these as purely analog or digital computers.

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The Materiality of Computation

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Georg Trogemann

Biological Machines and the Materiality of Computation

 

University of Bergen, Norway, 26.-27. January 2012

Workshop: Synthetic Biology, views from the future(s)

Organisation: Dorothy Dankel, Ana Delgado, Silvio Funtowicz, Roger Strand.

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Code and Material – Algorithms in Art

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  • Prof. Dr. Georg Trogemann
  • Talk
  • November 15th, 2011, 6:30 p.m.
  • Schering Stiftung, Unter den Linden 32-34, 10117 Berlin

On the occasion of the exhibition IRRATIONAL COMPUTING by Lab3 alumnus Ralf Baecker, Prof. Dr. Georg Trogemann is giving a talk on “Code and Material – Algorithms in Art” at Schering Stiftung, Berlin. The talk focuses on artistic inquiries into the interrelation of hard- and software, material and code.

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Algorithm and Image

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  • Fourth Symposium on Digital Art, Bremen

  • Georg Trogemann
  • Talk
  • July 1st-2nd 2011
  • Kunsthalle Bremen, Altenwall 6, Bremen

The fourth Symposium on Digital Art at Kunsthalle Bremen asks for the specificities of the digital image and its documentation. It is organized by Frieder Nake and compArt and focuses on early algorithmic art and the relation of image and algorithm as one of sign and signal. › Georg Trogemann participates with a talk about “the machine’s calculated grasp for art”.

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