Events

transmediale 2012 and CSM

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  • Paidia Laboratory: feedback

  • January 29th - February 5th, 2012
  • transmediale and CSM, Berlin

The project Paidia Laboratory: feedback is part of transmediale 2012. It is featured in the official exhibition as well as in a special show at Berlin’s Computerspielemuseum (Computer Game Museum, CSM).

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News

Biological machines and the materiality of computation

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  • Workshop on Synthetic Biology: Views from the Future

  • Prof. Dr. Georg Trogemann
  • January 26th-27th, 2012
  • Bergen, Norway

The upcoming machines are self-assembling and permanently restructuring on a physical level, nevertheless they do it on the basis of elementary operations. But their basic characteristics are closer to the concept of autopoietic systems than of mechanical devices, resembling more the setup of an experiment than a classical computer.

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Projects

Portrait Machine

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  • Installation

  • 2012
  • Jongwon Choi

Portrait Machine is a perforating machine that punches binary data from Facebook profile images into paper.

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Lectures

Code and Material 2012

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  • Georg Trogemann, Lasse Scherffig, Martin Nawrath
  • WS 2011/2012, Grundlagenseminar, Kompaktveranstaltung (seminar in German language)
  • February 6th-17th, 2012, 10 a.m.-5 p.m.
  • Lab3, Filzengraben 8-10

A seminar on code and material with a focus on the notion of information: Within the course, students develop material artefacts that transmit information. These artefacts are coupled into a chain (or channel), transmitting a given input via multiple stations and possibly yielding a Chinese whispers apparatus.

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Guest Lectures

Insect-Canaries

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  • Medianatures and Aesthetics of the Invisible

  • Jussi Parikka
  • WS 2011/2012, Guest Lecture › Hello-Kitty
  • Wednesday, January 11th, 2012, 10 a.m.
  • Atelier Transmedialer Raum, Witschgasse 9-11

The talk addresses the intertwining of a certain discourse of technology with animals, and frames it as an intertwining of aesthetics and the ecocrisis. It addresses current ecological debates as a matter of aesthetics in the very fundamental sense of perception and epistemology, and links it with mediatic contexts.

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